You can now visit The Pink Room: Gallery for Good at Level 2, The Britanny Hotel, Bonifacio Global City, Taguig from September 4 to 14, 2024. This exhibit, curated by designer Carol Karthe, showcases 27 pairs of Nike Air Force 1 Triple White sneakers designed by Filipino artists. It is an initiative by breast cancer […]
Native American Cultural Artifacts Will Be Returned, Museum Promises
The American Museum of Natural History said on July 25 that they seek to increase the returns of human remains to different Native American tribes over the coming years, as controversy lingers over the alleged lack of communication between the museum and Native organizations.
This announcement came via an open letter from museum President Sean Decatur. The letter details the extensive efforts the museum is taking to identify and return cultural artifacts and human remains to the right tribal organization in the country. He promises semi-annual updates on the progress of the repatriations.
“As I’ve expressed before, the work before us will not be completed in a matter of months or even a few years. But, thanks to the efforts of many across the Museum and outside advisors, we will continue to move forward on lasting and substantive changes to our policies, practices, and approaches,” Decatur said.
Returning Sacred Objects and Remains to Tribes
A new revision to the Native American Graves Protection and Repatriation Act (NAGPRA) took effect on January 12. The revision gives museums and Federal agencies a roadmap and a better-specified system to return human remains, funeral objects, and other cultural items to tribal and Native Hawaiian organizations.
Because of this, the American Museum of Natural History closed the Hall of Eastern Woodlands and the Hall of Great Plains in January as they looked to comply with the law. Other museums around the United States followed suit days after.
Decatur’s letter announced new exhibition and educational initiatives in the repatriation letter. One focuses on explaining why Native exhibits were closed and the importance of changing our methods of cultural storytelling. The other gives the Haudenosaunee community a spotlight to teach students in New York about the area’s Native tribes.
The letter also details that the museum possesses over 12,000 human remains, of which 25% is reportedly “culturally unidentifiable.” Consultations with tribal and Native Hawaiian organizations regarding different cultural artifacts are also currently ongoing.
In a separate webpage, over 55 reparations to Native American tribes have been completed this year as of May 30, 2024. This includes 1,000 sets of Native American human remains and 2,300 cultural items.
Slow Action
Decatur’s letter came due to a rising outcry in the tribal community over a lack of updates from the museum regarding its plans for its Native American artifacts. They claimed not hearing from the American Museum of Natural History despite other museums’ more public efforts of repatriations.
The Associated Press reported that tribal leaders continue to wait for information on thousands of artifacts that still remain with museums even when they fall under the original 1990 NAGPRA.
“If things move slowly, then address that,” Joe Baker, a member of the Delaware Tribe of Indians, said. “The collections, they’re part of our story, part of our family. We need them home. We need them close.”
Others have complained about the lack of replacement exhibitions detailing Native life in the country. Shinnecock Indian Nation vice chairman Lance Gumbs believed that the lack of representation could be damaging to local tribes, and pushed for replicas to be used instead of the culturally-sensitive artifacts.
“I don’t think tribes want to have our history written out of museums,” he said. “There’s got to be a better way than using artifacts that literally were stolen out of gravesites.”
Related reading: The Sinuda Village in Kitaotao, Bukidnon now has a new Tribal Hall from the DPWH
To Cast A Shadow, There Must First Be Light, curated by The 5th House’s Brisa Amir and Jose Olarte, strives towards an atmosphere where audience members are invited to re-examine light’s role in art. This exhibit at Aphro in The Alley at Karrivin Plaza reinterprets our perception of lights, lamps, and the artistry within it. […]
After a successful debut , the Manila Illustration Fair gears up for its second year of commemorating illustrators of the country. This year, the fair will be happening between September 13 to 15 at the Parola Gallery Atrium at UP College of Fine Arts (UP CFA). The event aims to foster a community allowing artists […]
When clients treat designers as family members, a unique trust is formed. It allows the vision for a project to be translated into built reality with profound intimacy and understanding. This was the foundation upon which Sim Ateliers embarked on the design journey for their resort project, which was born out of a close relationship […]
For Heaven Earth Hello, Jet Leyco overwhelms his viewers with a distinct and colorful art experience that works on its own artistic logic. The Gravity Art Space exhibit moves towards attacking at least three of the senses as the artist pitches the balance between chaos and organized intent. Leyco said that he aimed “to illuminate […]
September 2024 is shaping up to be an exciting month for design lovers around the world. For Filipino design enthusiasts, this is a prime opportunity to engage with global trends, network with international designers, and gain fresh inspiration. Here’s a comprehensive guide to five of the most anticipated design festivals and trade shows happening in […]
