There is no excerpt because this is a protected post.
Spruce Gallery Hosts Talk with Edson Cabalfin About New Book
Spruce Gallery hosted their second talk for the Nice to Meet You series featuring different professionals to talk about their methods and philosophies. For this edition, they invited architect and educator Edson Cabalfin. The discussions focused mainly on his philosophies and recent writing for Shifting Sands.
Shifting Sands marks the 18th anniversary of Buensalido Architects, who recently rebranded to Barchan Architecture. Design for Tomorrow, which is affiliated with Spruce Gallery co-founder Ric Gindap, crafted the book’s vivid pink look.
![[From left] Jason Buensalido, Edson Cabalfin, and Ric Gindap for the "Shifting Sands" talk at Spruce Gallery. Photo by Omar Villanueva.](https://bluprint-onemega.com/wp-content/uploads/2024/07/NiceToMeetYou-157-scaled.jpg)
Cabalfin, flanked by Gindap and Barchan Architecture’s founder Jason Buensalido, discussed the different inspirations for the book. The three also circled around the meaning of contemporary architecture in the Philippines today. All three emphasized the importance of values and beliefs in the craft.
Negotiating the Meaning of Filipino Architecture
Cabalfin said that he wrote Shifting Sands to highlight how Barchan Architecture evolved with the times. He and Gindap use the word “negotiate” to describe how their works grapple with identity, particularly in the context of the Filipino diaspora.
“I saw this connection between how we look at Philippine architecture, how we look at the world, and then at the same time being true to yourself and true to your heritage without necessarily giving up who you are. That’s the negotiation that I think is happening: how do you think about who you are, and then being able to explore new ways of expressing your identity,” Cabalfin said.
Part of Barchan Architecture’s rebranding came due to Buensalido’s belief in progression and evolution beyond typical solutions, and the desire to build an identity that frees them up for change. It’s something that Cabalfin said came out as he wrote the book.
“I think it relates to Shifting Sands in that the theme that emerged from Jason’s work was about this idea that identity was evolving,” he said.
How We Build Our Country
Cabalfin spoke about the necessity of defining Filipino architecture as a collaboration between the past and the present. He emphasized the need for indigenous ideas in Philippine architecture, especially in a world needing to adapt to changes in climates.
“There’s a certain sense of arrogance, I think,” he said, “where somehow we kind of just dismiss or just sort of—oh, because it’s katutubo, it’s indigenous, it’s not modern anymore, and therefore we don’t need to learn what they have.
“And that’s why Typhoon Carina was so palpable in that sense, it’s because we are suffering from this very complex problem, and part of it is that we just ignored what our ancestors and indigenous brothers and sisters have known for so long, right? And that’s part of the question: how do we maybe return to those ideas?”
Cabalfin mentioned how Badjao houses would build stilts on water to flow with nature. He then pointed towards a project featured in the book that showed this new climate-adaptive mindset in practice. Barchan Architecture built a townhouse post-Ondoy that would “not fight the flooding that would be happening in that area.”
“But what was happy, at least from our side, was that the carport that we designed […] to be floating and protecting the car, and the balcony that was […] designed to function as a raft so you could escape from being stuck in a single place actually worked,” Buensalido said.
Ego and Architecture
With these points in mind, Edson Cabalfin discussed the role of the architect within the country at length. Pushing back on the belief that architects need to be arrogant, he emphasized the importance of architects to shapeshift depending on the situation.
“As an architect, sometimes you have to be a visionary, right? Which is a role that a lot of architects play. At the same time, you have to be able to also shift and be a facilitator at times. Because sometimes you don’t need the ego to be able to do the projects or to be able to successfully do something. Or sometimes your role is to be a listener, and that’s where a sense of humility needs to come in,” he said.
Cabalfin recognizes the different roles that architects play beyond the vision of a building. He emphasized these roles due to his belief in the role of architecture in today’s society—and how they change the landscape for everyone around us. The architect is as much of a member of its community as they are the creator, and therefore deserves to regard themselves as such.
“Because I do believe in the power of architecture to provide hope and to be able to give a sense of empowerment to the people that the buildings and the cities and the built environment is trying to provide shelter [for],” Cabalfin said.
Cabalfin the Educator
Described by Gindap as a “multifaceted” person, Edson Cabalfin largely works as an educator and researcher in the United States. He’s currently the Associate Dean and professor for the School of Architecture at Tulane University. Beyond that, he is well-regarded for curating the Philippine Pavilion at the 16th Venice Architecture Biennale in 2018.
Asked about which of his roles he feels proud of most, he says that he likes being an educator best. He shared that after he got his license to practice architecture, a soul-searching trip to Sagada made him realize the need to set his own values for what he wants for the future.
Because of that, he crafted a manifesto which “acts as his North Star.” The manifesto allows him to assess whether he is staying along with the values he set for himself. And he wanted to be an educator because of his desire to cultivate the next generation’s talent for the future.
Cabalfin sees his work for events like the Venice Biennale as a way of expanding the reach of Philippine architecture. He feels the need to ensure that the world moves away from their primitivist view of Philippine architecture.
“Sometimes I would talk about, ‘look this is the architecture that’s happening in the Philippines’ and then somebody who’s American and who’s never visited the Philippines would say like, ‘Oh I thought you just live in trees,’” he said.
“My goal is to be able to have this larger conversation about the Philippines and expand the conversation about them.”
Related reading: Edson Cabalfin on his shift from fashion to architecture
There is no excerpt because this is a protected post.
Time is a continuous progression, an ever-fleeting essence that we constantly attempt to hold. Yet, what if we could have the ability to pause it within the walls of our homes? IDr. Maureen Joyce Pineda, in her visionary Project 223 located at Cerca Alabang, has done just that. This modern condo embodies the fluid configuration […]
For their second iteration, ArteFino Resort took over the North and South Court of Power Plant Mall in Rockwell from March 6 to 9, offering Filipinos a glimmering vision of local Filipino fashions directly inspired by the tropical nature of the country. The summer-themed pop-up featured thirty different brands from across the Philippines, allowing city-dwellers […]
Taupe, a grayish-brown hue, goes with almost anything. It is this characteristic that prompted Francis Tolentino, Executive Chef of Taupe in Bonifacio Global City, to name his restaurant after this neutral. It is also his favorite color, and for him, donning the restaurant interiors in monochromatic tones allows the food to shine. Tolentino worked with […]
Interior + Design Manila 2025 opened at the SMX Convention Center from March 6 to 8. The showcase of the local design industry by the Philippine Institute of Interior Designers (PIID) hoped to go beyond just exceptional design—but to make the case for the future of interior design in the country as well. This trade […]
Download this month's BLUPRINT magazine digital copy from:
Subscribe via [email protected]