On January 15, 2026, the Likhang Filipino Exhibition Halls opened its doors to take a bold step towards showcasing Filipino creative excellence. On that day, President Ferdinand “Bongbong” Marcos Jr., joined by First Lady Liza Araneta-Marcos and former First Lady Imelda Marcos, led the official opening ceremony. Situated along Roxas Boulevard, Pasay City, its 8,000-square-meter […]
The Philippine Pavilion Wins Silver Medal Design at Expo 2025 Osaka
In a landmark achievement for Filipino design on the world stage, the Philippine Pavilion at Expo 2025 Osaka has secured the Silver Award for Exhibition Design from the Bureau International des Expositions. The victory is more than a mere accolade; it is a powerful validation of a bold design approach: the seamless integration of heritage craftsmanship with digital artistry.
A Tapestry of a Nation

Under the theme “Nature, Culture & Community,” the pavilion was conceived by its organizers, the Department of Tourism and the Tourism Promotions Board (TPB) Philippines, as a definitive statement. The design, led by architectural firm Carlo Calma Consultancy, Inc., with Tellart crafting the guest experience, aimed to move beyond static displays. The goal was to create an immersive, living structure that embodied the Filipino spirit of collaboration.
The most striking feature was its façade, the first-ever live performance façade for a Philippine World Expo entry. It was clad in over 200 handwoven panels, sourced from artisan communities across all 18 regions of the Philippines. This monumental collaboration transformed diverse weaving traditions—each with its own history and materiality—into a singular, cohesive architectural statement. It was not merely a wall; it was a national tapestry that communicated heritage at a grand scale.
The Synthesis of Craft and Code

Inside, the design narrative elegantly merged the physical and digital realms. Eighteen large-scale, handwoven art pieces provided a tactile anchor to the space, complemented by the “Dancing with Nature” installation. This digital centerpiece used a generative algorithm to translate visitor movements into fluid, nature-inspired visuals, creating an interactive environment. The technology served as a modern lens, offering a new way for visitors to engage with Filipino creative traditions.
This fusion of heritage and innovation extended to every corner. AI-powered photobooths captured guest portraits against artistic backdrops, while a dedicated wellness corner offered visitors an experience of traditional hilot. The pavilion successfully demonstrated how contemporary Filipino design draws strength from its deep cultural roots, creating a uniquely modern expression.
“From the very beginning… we knew that the Philippine Pavilion was going to be more than just a physical structure,” explained TPB Chief Operating Officer Margarita Montemayor Nograles. “It was going to be our nation’s heartbeat at Expo 2025… We did not just build a Pavilion. We built pride.”
A Benchmark for the Future

Over its six-month run, the pavilion captivated more than 1.1 million visitors, serving as a dynamic hub for cultural diplomacy and tourism promotion. The Silver Award affirms the project’s holistic success, recognizing both its aesthetic appeal and its power in effective storytelling.
As the Expo concludes, the pavilion’s legacy is already being secured. Key architectural and artistic elements will be repatriated and integrated into the National Museum of the Philippines and other regional sites. Plans are also in motion to feature some components in the upcoming ASEAN Tourism Forum in Cebu, ensuring the design’s impact continues.
“What we created here was both a space and a feeling—of warmth, of welcome, of wonder,” Nograles added. “And we carry that spirit home with us.”
The Philippine Pavilion at Expo 2025 Osaka provides a new benchmark for national representation on the global stage: one that is confident in its heritage, fluent in contemporary design language, and adept at weaving the two together.
Photographed by Ed Simon, Masaki Komatsu, and Tellart.
Read more: Osaka World Expo Philippine Pavilion: What the First 100,000 Visitors Know That You Don’t




