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Le Banquet des Philippines: A Feast of Filipino Craftsmanship at Paris’s Révélations Biennale
The Grand Palais in Paris sets the stage for “Le Banquet des Philippines,” a remarkable exhibition of Filipino artistry, from May 21-25, 2025. This showcase takes place during the prestigious Révélations – Biennale Internationale Métiers d’Art et Création. Curated by Milo Naval and presented by the Design Center of the Philippines, the event promises a profound exploration of tradition, dedication, ambition, and the exceptional talent embedded in Filipino craftsmanship.
A Celebration of Nature and Ancestral Know-How
The exhibition’s curatorial direction highlights the Philippines’ deep connection with nature, viewing it as a creative life force that sparks curiosity and carves out space for new expressions and the future of craft. “Le Banquet des Philippines” celebrates this intrinsic bond, skillfully weaving together the rhythms of natural design with the ancestral knowledge of craft traditions.
The showcase endeavors to ignite a dynamic interplay between creator and creation. Here, local materials and techniques transform into vessels for artistic expressions that continuously shape and redefine artisanship in the Philippines. This exhibition thoughtfully marries the organic with the crafted, forging a tangible connection between nature and human ingenuity. It also challenges conventional understandings of craft by inviting viewers to explore its potential as a tool for reinterpreting and expanding traditions within contemporary contexts.
A Tapestry of Philippine Materials and Techniques
The featured works draw from a rich heritage of materials and savoir-faire. Artisans prominently feature natural fibers such as abaca (Manila hemp), silk, and raffia, which are integral to the Philippines’ textile legacy; the nation notably supplies around 85% of the world’s abaca. These fibers highlight a deep-rooted tradition of sustainable, artisanal craftsmanship.
The sacred T’nalak textile, a cultural artifact of the T’boli tradition, presents intricate patterns believed to be revealed through dreams, signifying a profound spiritual connection. The country’s abundant marine biodiversity inspires shell craft, where artisans skillfully create decorative and functional items from materials like capiz and mother-of-pearl.
Weaving itself stands as a deeply embedded cultural tradition. Across the archipelago, Filipino weavers employ natural fibers to produce complex textiles that reflect their heritage and environment, with distinct regional styles such as the Inabel of Ilocos, Tinalak of the T’boli, and Hablon of the Visayas. Furthermore, metalcraft in the Philippines, with a lineage stretching back to prehistoric smithing, is perceived as a form of emotional expression, where each strike of the mallet resonates with the artisan’s heart and pulse.
Spotlight on Filipino Creators and Collaborators
The exhibition proudly features several Filipino designers and their unique collaborative creations. “Heart of Abaca” is a significant sculptural piece presented by Maricris Brias and Jaime Brias of TADECO Home. Taking inspiration from the abaca flower, this work honors the T’boli tribe’s mastery of T’nalak weaving.
Crafted from T’nalak, abaca, and banana pulp, the three-layered sculpture visually narrates the evolution of craftsmanship, from the initial preparation of materials to the ultimate expression of tradition and artistry. As TADECO Home’s Creative Director, Maricris Floirendo Brias expertly merges indigenous artistry with modern design while empowering local communities.
Complementing this, Jaime Brias, a multidisciplinary creative, applies his expertise in design, strategy, and business to collaborate with TADECO Home, effectively bridging traditional craftsmanship with contemporary markets.
Experimenting with handwoven raffia polyester textiles from Cebu, Olivia d’Aboville, in collaboration with Industria Edition, showcases “Raffia Flowers.” She pleated these textiles into large, imaginative flower-like conic shapes, which Industria Edition then complemented with their distinctive metalwork. D’Aboville, a French-Filipino artist, consistently explores the interplay between organic and synthetic elements in her work, frequently utilizing natural Philippine fibers or recycled materials.
From an experience of unreciprocated love comes “Constellation,” a compelling three-piece sculpture by Neil Felipp. This work innovatively integrates 3D technology with the traditional Cebuano craft of shell inlay. It features mother-of-pearl, white cabebe shell, and white abalone shell, all accented with brass. Felipp, who discovered his passion for using brass in fashion accessories, has gained recognition for his ethereally elegant minaudieres and accessories.
Delving into the delicate balance between growth and natural degradation, “Hilaw, Laya (Unripe, Withered)” is a collaborative piece by Leeroy New and Christina Gaston of Hacienda Crafts. It showcases woven discs meticulously crafted from cogon grass, wax thread, and bamboo beads by a women’s farming community in Negros.
These discs rest upon a plant-like brass structure. Leeroy New, a multidisciplinary artist, often creates large-scale immersive environments and explores concepts of world-building and myth-making through the use of found objects and natural materials. Christina Gaston, the Senior Designer & Managing Director of Hacienda Crafts, skillfully blends her architectural design background with the realities of farm life to produce pieces that articulate her deep appreciation for nature and craft, working closely with artisan communities.
An “Untitled” piece, created in collaboration with Shelmed Cottage Treasures, intimately reflects the personal journey of Milo Naval, who also serves as the exhibition’s curator. The work centers on Abaca, a material profoundly connected to his origins in the Bicol region. Through a modern, minimalist approach, he aims to transcend Abaca’s traditional applications, presenting the fiber in its most unadulterated state. Naval is celebrated for his minimalist yet impactful modern furniture and interior designs that thoughtfully incorporate indigenous Filipino materials. He is also a founding member of the influential Movement 8 design collective.
Capturing the playful essence of butterflies, “Kaleidoscope” is a dynamic creation by Jude Tiotuico, in partnership with Olivia D’Aboville and Rurungan sa Tubod Foundation. Each “papillon” is meticulously hand-hammered and sheared from steel to achieve a remarkable paper-like lightness. Shibori Philippine silk, dyed with rich indigo hues, envelops these forms. Tiotuico, the creative director of Industria Edition, is known for bespoke handcrafted metal furniture. His design philosophy centers on organic forms, nostalgia, and human practicality, effectively linking art with furniture.
Championing Filipino Design
“Le Banquet des Philippines” signifies more than an exhibition; it stands as a vibrant testament to the enduring spirit of the Filipino artisan-designer. The Design Center of the Philippines, the nation’s foremost agency dedicated to cultivating creativity, value creation, and innovation, spearheads this initiative. Through this event, it aims to inspire, nurture, and celebrate the succeeding generation of these gifted individuals, reflecting its ongoing commitment to artisan-designers. The showcase also receives valuable support from the Philippine Trade and Investment Center in Paris.
Images courtesy of Design Center of the Philippines.
Read more: ‘Design x Pinyapel’: Milo Naval Leads New Vision of Sustainable Materials
Frequently Asked Questions
Le Banquet des Philippines is a premier exhibition of Filipino artistry curated by Milo Naval for the Révélations Biennale in Paris. Held at the Grand Palais from May 21–25, 2025, the showcase explores the intersection of ancestral know-how and contemporary design. It features innovative works that utilize indigenous materials like abaca, shell, and silk to redefine the future of Filipino craftsmanship on a global stage.
The exhibition highlights sustainable, natural materials native to the archipelago, most notably abaca, which the Philippines supplies to 85% of the world market. Other key materials include mother-of-pearl, capiz shells, T’nalak textiles, and handwoven raffia. These organic elements are often paired with modern techniques, such as 3D technology and metalcraft, to demonstrate the versatile nature of traditional Philippine fibers in high-end design.
The exhibition features a prestigious group of multidisciplinary artists including Milo Naval, Leeroy New, Olivia d’Aboville, and Neil Felipp. Collaborations with renowned brands like TADECO Home, Industria Edition, and Hacienda Crafts are also central to the display. These creators focus on bridging the gap between traditional community-based weaving and the contemporary international market, ensuring that Filipino heritage remains relevant and competitive.
Le Banquet des Philippines showcases regional weaving styles such as the T’boli’s sacred T’nalak, the Inabel of Ilocos, and the Hablon of Visayas. These techniques are reimagined through sculptural installations, such as Maricris Brias’s “Heart of Abaca,” which narrates the evolution of craft from raw fiber to art. By presenting these ancestral methods in a modern context, the exhibition emphasizes weaving as a living, breathing cultural expression.
The Design Center of the Philippines leads this initiative to champion the Filipino artisan-designer and promote the country’s creative economy internationally. By participating in the Révélations Biennale, the agency provides a platform for local talent to gain global visibility while fostering innovation and value creation. This strategic effort ensures the preservation of traditional crafts while nurturing the next generation of designers through global exposure and collaboration.
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