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A Filipino Interpretation of Modernist Architecture

Unlike the rest of Makati today, the northern end of Paseo de Roxas in Makati is anchored by a low complex rather than a tall skyscraper. This is the elegant Asian Institute of Management, designed by architect Gabriel Formoso and completed in 1971. In my opinion, the building is one of the best modernist adaptations of traditional ‘,’ mixed with ‘convento’ elements and use of space.

The complex sits on a one-hectare block in Legaspi Village, which hosts the original structure as well as two additional buildings added in the last few decades. Formoso’s architectural shows the influence of Frank Lloyd Wright, with a lower three-story base punctuated by a modest six-story tower, all arranged around a courtyard (designed by National Artist IP Santos). Each level in the lower structure is defined by a clean band of concrete alternating with an inset bad of continuous glazing, giving it that signature Filipino brutalist look of the 1970s.

Related Read: Walk through Makati with a British Urbanist

How Gabriel Formoso Designed the AIM Building’s Massing

The tower’s mass is broken up similarly, but with the addition of repetitive panels of hardwood as accents. The overall massing and composition is reminiscent of Wright’s Prairie-style homes in Chicago. Formoso also applied this design massing, albeit at a smaller scale, to several dozen homes that he designed in the 1960s and 1970s. Formoso used synthetic adobe blocks, whose texture contrasted with the painted concrete bands. This was a signature design detail he perfected and used in other building and homes mostly in Makati’s commercial and residential districts.

Gabriel Formoso’s massing for the AIM complex pairs a low three-story base with a modest six-story tower, articulated by strong horizontal bands of concrete and continuous glazing. Photo via The Manila Times

Related Read: Work with Honor: Rogelio Villarosa Shares the Secret to His Success and Longevity

Why the AIM Building Is Part of Makati’s Architectural Heritage

The AIM complex is over the fifty years old and by law, is protected architectural heritage. People have less emotional, social or cultural attachments to speculative office buildings in CBDs that have since disappeared to the wrecking ball, but the AIM is an institutional structure and repository of memories of thousands of graduates, many of who now command the higher echelons of corporate Asia. The AIM is also a standing legacy of a generation of Filipino architects who practiced in an era when Filipino design creativity was given support and appreciation by clients and the public; compared to today’s vertiginous Makati skyscrapers designed mostly by foreign consultants (with locals relegated to being AORs – architects of record).

Paulo G. Alcazaren’s sketch captures the Asian Institute of Management’s low, horizontal profile amid the increasingly vertical Makati skyline.

Because of this and several notable landmarks of the era – the Central Bank complex, The Manila Pennisula Hotel, the Pacific Star Building, and the Bank of America–Lepanto Building, as well as over a hundred residences in Forbes, Dasmariñas and other enclaves, Gabriel “Gabby” Formoso was named the National Artist for .

Related Read: The Politics and Problems of Placemaking in the Philippines

Sketching Modernity is a series of analog illustrations and reflections on landmark buildings and sites by BluPrint Editor in Chief Paulo G. Alcazaren.

Frequently Asked Questions

The Asian Institute of Management building was designed by Filipino architect Gabriel Formoso and completed in 1971.

The AIM building is a modernist structure that incorporates influences from traditional Filipino architecture, including the bahay na bato and convento, alongside elements associated with Brutalism and Frank Lloyd Wright’s Prairie style.

Paulo G. Alcazaren describes the AIM building as a modernist adaptation of the bahay na bato, combined with elements and spatial qualities associated with the convento.

The building’s low horizontal massing, composition, and relationship between its three-storey base and six-storey tower recall aspects of Frank Lloyd Wright’s Prairie-style architecture.

The courtyard landscape was designed by National Artist for Landscape Architecture Ildefonso P. Santos, according to Alcazaren’s account.

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Paulo Alcazaren

Editor

Paulo G. Alcazaren is an architect, landscape architect, urban designer, writer, and journalist with more than three decades of experience in design practice. A graduate of the University of the Philippines and the National University of Singapore, he is a registered Landscape Architect and Environmental Planner and has led nearly 250 projects across 14 countries, shaping master plans, civic spaces, parks, and waterfront developments in the Philippines, Singapore, Malaysia, China, and beyond. He is also an accomplished author and columnist, with numerous publications on architecture, design, and urban history. Alcazaren serves as Editor-in-Chief of BluPrint and continues to advocate for heritage conservation, public parks, and open spaces.

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