Art Fair Tokyo, currently the biggest annual art expo in Japan, was held from March 7 to 9 at the Tokyo International Forum. Over the three-day event, Galerie Stephanie showcased works from its roster of artists, standing as the sole Philippine-based gallery at the fair.
The Tokyo exhibition featured the works of Kim Borja, Jem Magbanua, Thea Quiachon, and Naburok. This all women line up was an intentional move by the gallery to celebrate Women’s Month. It also highlighted the different flavors of local talent.
“We felt that the works of [these artists] are somewhat relatable to the general art perceptions in Japan, all while being able to retain their distinctive Filipino flair,” Grace Micah Oreiro, operations manager for Galerie Stephanie said.
“Giving them a platform allows for these powerful stories to be heard and understood worldwide,” she added.
Stylistically, the approaches of these artists have an idiosyncratic flair to them that are eyecatching in their color and framing. Some of the artists, Oreiro said, were chosen because of “certain commonalities in styles [with Japanese artists] such as whimsical and pop surrealist [methods].”
Kim Borja, for example, utilizes her signature pastel-colored method in the exhibit’s paintings. The works showcased a heightened reality where humans appear to coexist with some adorable cat-bunny hybrids. Complimenting that style is Naburok, whose paintings have a comic book-esque quality to them. She depicts different slice-of-life images of people at leisure, whether it’s playing the piano, gardening, or sleeping in bed.
On the other side of the equation are the works of Jem Magbanua and Thea Quiachon. Magbanua uses her space to showcase minimalist mountainscapes against a blue and white backdrop. Quiachon, meanwhile, presents a series of tactile paintings of a contemplative person in the midst of a rocky landscape.
These four artists were chosen, Oreiro said, because of the important message they convey about Filipino art and the necessity of giving a voice to women on the international stage.
“Many Filipina artists have had to navigate both gender biases and the lasting effects of colonialism,” she said. “Recognizing their work on an international level helps challenge these structures and affirms their place in global art discourse.”
Galerie Stephanie has been exhibiting at Art Fair Tokyo for seven straight years. Oreiro said that this allows Philippine art to be exposed to new collectors and enthusiasts internationally. To the gallery, it functions as a “cultural dialogue” between the two countries.
“Galerie Stephanie has been participating regularly in Art Fair Tokyo and has found many friends and collectors through it,” she said. “It has also been an opportunity for us to meet exciting Japanese artists that we feel will be accepted by the Philippine art scene.”
The goal is to elevate Filipino art globally and gain wider recognition for local artists. More than that, the cultural exchange hopefully creates new avenues for inspiration between Filipino and international artists to pursue in their own art practice.
“A lot of Filipino contemporary artists are becoming more and more known on a global scale,” she said. “This in turn, opens up a lot of opportunities for galleries to explore collaborations with other art institutions and fairs abroad. We are hoping for more Filipino artists to be more recognized not just in the contemporary setting but also in being able to showcase the rich indigenous cultures and traditions in the Philippines.”
Photos provided by Galerie Stephanie.
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