In dense urban environments, homes often seek to stand out—asserting boldness to carve space amid the city’s noise. But on rare occasions, architecture does the opposite: it listens and yields to its surroundings. Such was the case with DA Residence by PXP Design Workshop, located in a gated enclave in Quezon City beside a protected 32-hectare forest reserve.
Led by Principal Architects Patrick Espiritu and Spencer Sy, with Neil Sandico and Rina Yeban-Villareyes as Lead Architects and Ren Kins de Lara as Project Designer, the design team approached the home with a deep respect for its natural context. They immediately saw the project as an opportunity to create a house that would complement its unique surrounding environment.
The site’s strongest asset—a lush forest that borders the lot—was also its initial challenge. Located at the perimeter of the subdivision, the wall blocked the view of the forest reserve from the pedestrian level. This prompted the design team to invert the conventional vertical arrangement, positioning the living area, dining area, and kitchen on the upper ground level. Unconventionally, they also placed the swimming pool on this upper level to take advantage of the unobstructed view. This decision also allowed service areas to be conveniently tucked away on the lower ground floor.
Once inside, spaces open up in controlled sequences. A low-ceilinged foyer gives way to a soaring double-height living room, creating a classic compress-and-release experience. In the open-plan main floor, Espiritu noted how the different ceiling heights determined the hierarchy of spaces in order to create different experiences within each one.
The interiors extend the warm, muted language of the facade. “The significant aspect was to follow a cohesive palette for both the exterior and interior materiality,” says Espiritu. “For instance, since the exterior materials (i.e, WPC, stone, metals) are more on the warm tones, naturally the interior materials would also gravitate towards more neutral pieces of furniture and fabrics”.
Even spaces often overlooked—like the service kitchen and staff quarters—were handled with the same rigor. “Normally, when we design the service areas in our projects, the team’s philosophy is to treat these areas with the same value instead of an afterthought as the general areas since these are still considered as habitable spaces,” Espiritu notes. To connect private areas to the main view, they used a “borrowed view” strategy, where glass partitions allow rooms like the master bedroom to look through other spaces toward the forest.
Asked about what the home represents in the context of tropical architecture, Espiritu reflects: “At large, this project is a further testimony that tropical architecture solutions do work and are essential in designing spaces in a tropical site”. He concludes that “Time-tested elements – such as proper spatial orientations, use of sun-shading devices [like] louvers, maximizing natural cross ventilation, and integrating sustainable materials–create not only a visually-pleasing structure, but also pay respect to its natural site and surroundings—through architecture and design”.
At its core, the project succeeds because it knows how to hold back. The architecture recedes just enough, letting nature take the lead—while still providing thoughtful interventions that enrich daily life. It is, in every sense, a home shaped not just by design, but by deference.
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Photographed by Ed Simon
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