Sanctuary of Becoming is an exhibition by Ciane Xavier at the deTour 2025 Design Festival in Hong Kong. The exhibition was selected by the curatorial team because of its “fusion of mycelium architecture, emotional robotics, and figurative sculpture,” as they sought more groundbreaking designs for their festival this year.
The deTour 2025’s theme was “The Shape of Yearning,” which invited designers from China, Switzerland, the United States, Italy, and the Philippines to showcase their interpretations of the idea, turning the venue into a “living, responsive canvas” with an “immersive sensory experience,” according to the press release.
“This year’s deTour at PMQ presents an exceptionally impressive lineup, bringing together some of the most innovative voices in design, material research, and interdisciplinary practice,” the curatorial team said about the project.
Xavier developed the exhibition in partnership with Singaporean modular construction company Homeqube, whose models center around sustainable, renewable housing units. Together they created the mycelium-built architectural structure central to the exhibition. The structure, made of wood and other renewable biomaterials, crafted a warm, welcoming space for visitors.
The angular pavilion design allows for multiple wooden shapes to populate the frame of Sanctuary of Becoming. For these small design hallmarks, Xavier added signs of life to the unit, with some areas having small mushroom blooms and other organic objects appearing within it.
“This living, organic architecture forms a refuge-like pavilion,” the exhibit write-up said. “[P]art shelter [and] part spiritual threshold, the space breathes with texture—grown, sculpted, and assembled by hand—inviting visitors into a world where fragility and transformation are not hidden but honored.”
For Ciane Xavier, she wanted Sanctuary of Becoming to be an area that allowed exploration of the self and the identity that hides within. The exhibition “extends Xavier’s long-term artistic inquiry into fragmentation and rebirth, merging craft, sustainability, and post-human tenderness.”
The structure has ceramic heads hanging from the ceiling representing different emotions like grief, longing, and wonder. In the middle of these ceramic heads is one robotic head that mirrors the emotions of the viewer in a “quiet yet uncanny” way. Alongside it are whispered voices “that speak of belonging, memory, and spiritual metamorphosis.”
Materially, it all came together as a structure that showed the indefinite possibilities that design has in creating tactile environments that encourage thought rather than kill it. Xavier’s work here proved that a more sustainable world that fuses the humanity of our emotions with the objects used to craft it is workable.
More than that, Sanctuary of Becoming reminded us of the essentiality of the environment to create those human emotions in the first place. Contemplative space is not just being in the woods alone, isolated from the world; it can also be built within the busy surroundings, a breather in a rushed habitat.
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