At first glance, it would seem the two-story, 300-sqm Descending House designed by Micaela Benedicto has not aged a day from my first visit six years ago for a BluPrint feature.
I remember seeing the hulking black volumes of the house from the gate, draped in the gossamer light of a golden afternoon, a stately yellow flame tree upfront casting leaf and shadow on a brick-tiled open driveway. This juxtaposition of the sharp-cornered manmade volume against its lush surrounds made for a memorable first impression, and in my latest viewing, the scene is left intact except for the 6-meter-tall podocarpus maki hedge fronting the home having grown considerably taller.
While the house’s muscular shell may not communicate this at first glance, it is a porous space, where textbook passive cooling principles are at play.
The living room, where I interviewed the designers and clients, is a delightful space, modestly sized with a few curated furniture pieces and framed photography. There is notably no television set; why have one when you have two different shows on view on either side of the space thanks to the floor-to-ceiling sliding windows, the picturesque view of the driveway, its sculptural bench and privacy hedge the angular foil to all of nature’s organic theater.
The spare material palette of metal, concrete, and glass, a trademark of Benedicto’s, helps imbue the space with a brutalist-flavored, gallery-like feel desired by its clients, architects who’ve chosen different career paths with a penchant for travel, who, with their teen son, now lives in a house carefully and lovingly designed for them by one of their closest friends
The house exhibits purity and clarity of form; walls and divisions align with the exterior shell; room cuts above and below echo each other. It was something I found refreshing and lent the place a certain timelessness. This quality is no more expressed than in the kitchen and dining space, pristine, monochromatic, and devoid of frills.
This was Mrs. T’s base before, during, and after the pandemic, and she told our little group how she enjoyed cooking and baking there because of how spacious the counter is, almost as if she were in a cooking show.
Perhaps my biggest takeaway from the house during that first visit, and one that proved prescient coming out before the pandemic, is Descending House’s flexibility as a space. Its versatility is best illustrated on the second floor, where rooms and spaces shifted in use throughout the seven years the family has stayed within its confines.
“We knew from the beginning that this was not a starter home. This is where we will stay for the long haul,” Mrs. T shared.
“I think more than designing a structure that shelters, it’s vital to create a space that not only works and looks great but inspires. Architecture should inspire you to grow and be your best self, and sometimes you’ll realize that you actually don’t need acres of space to find that space to grow!” Micaela Benedicto said.
This rings true as the Descending House was by no means gargantuan in scale; the clarity and simplicity of its plan and spare material palette did wonders in imbuing its rooms and areas with a spaciousness that is light and uplifting that far exceeds its physical size.
What I’ve learned from Descending House from the six years that elapsed is that while that change is inevitable, what stays constant is the need for room to grow, not strictly in the physical sense, but to be in a room, or space that provides the condition for growth.
Read the full story by grabbing your copy of BluPrint Volume 1 2025, available at sarisari.shopping, Shopee, and Lazada.
Photos by Ed Simon.
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