In a curated setting at the The Tile Gallery showroom, architects, designers, and media guests were transported into the immersive world of Italian contemporary lighting brand Lodes, where light illuminated the space through sculptural forms and innovative materiality. The Language of Light event presented a selection of Lodes’ established collections alongside new releases, revealing the […]
‘Pasilip’: Maricar Tolentino Explores Femininity’s Fragility Under the Patriarchy
Recommended Video
Tap to Unmute
Unmute
0:00
0:00
Maricar Tolentino’s exhibit, Pasilip, showing in Gravity Art Space until July 6, centers on the portrayal of personal spaces that toxic masculinity relegated to unimportance.
Dissecting and revisiting the effects of patriarchal beliefs on women as a whole continues to be a subject ripe for exploration due to its all-encompassing effects. Through her work, Tolentino analyzes the household and probes the power structures within it. In the home, said to be the domain of women according to the patriarchy, how much power do they really wield?
“In the undoing of personal boundaries, Tolentino reveals the defiant feminine psyche, constantly at odds with the pervasiveness of Filipino misogyny and religious sanctimony. As we gaze upon her dwelling place, like the abyss, know that it gazes back fiercely,” the exhibit write-up said.
Toxicity in a Personal Space
Pasilip utilizes household objects commonly associated with women as a way of commentating on the gender’s objectification under society’s gaze. The works are hand-stitched, exuding a home-made quality that punctures through with meaning.
“Self-defense I to III” uses that home-made quality to frame daily household objects with any type of power associated with them—knives, scissors, hammers, religious symbols—as something feeble, playthings in the specter of bigger powers. There, we are asked to ponder the true power of these objects. Can these keep a woman safe from tyranny?
The works circle around similar ideas all throughout. The write-up describes “Kamiseta” as “a series of seven hangers in ostensibly menstrual colors, a meditation on the weekly routine of dressing and cleaning up.” The series invites comparisons to how hangers have been used historically as a way to perform abortions for women with no access to safe methods.
A Room of One’s Own
It reminds its audience that there is no purity of womanhood in society. Even in its patriarchal idea, womanhood is grizzly business, affording women no rights and freedom on their own terms.
The exhibit’s centerpiece features this giant fabric work, “Kulambo,” showing a nude woman in different positions of rest. This specific work builds itself around a mosquito net, the type one puts above a bed in the provinces. A sense of intimacy pervades the work, blurred visions of the woman stitched directly into the fabric of the net.
As the only work that showcases the subject’s body in its entirety, it feels like it’s revealing something innate about womanhood as a whole. If the other exhibits question the things that can protect us, “Kulambo” strips down its subject to show it at rest, giving us a look at how the marginalized would look protected—or perhaps not needing to worry about protection in the first place.
Reinterpreting a Woman’s Fragility and Power
What does Maricar Tolentino say about the power of women under the patriarchy? Mostly that whatever power women can achieve under it exists in a fragile state. Protection and power changes with the circumstances, something that can be uncontrollable even for the most privileged person under the system.
Something like “Kwadra,” which shows a woman’s body behind bars, gives the idea of the cloistered existence under the patriarchy. “Sundot” and “Sundutan,” meanwhile, give us the perspective where they literally reach out to another person for help, but the barriers between them prevent this salvation from happening. Within the system’s barriers, the power women have is limited and easily-retractable.
Currently, the world is undergoing a rightward political shift that compromises the rights of marginalized people around the world, including women. Especially in social media, a pervasive “tradwife” movement infiltrates many people’s feeds daily. It seeds the idea that women only belong in the home, under the rule of men; that women are happier under subjugation.
Pasilip reminds us of the dangers of returning to such a reality. Maricar Tolentino portrays the fragility of women under the patriarchy, as she gives us a perspective most people would not be privy to. There is no freedom in subjugation; the only true freedom is where we all can make our own choices.
Related reading: Women’s Month as Seen Through the Artist’s Lens
Once defined primarily by function, the bathroom is now becoming a space that reflects personal lifestyles. As broader design aspirations change in response, so do expectations of the products that shape these spaces. From customizable fixtures to touchless technologies, today’s bathroom solutions are increasingly designed around the way people live. COTTO’s KLIRR Collection highlights several […]
Many people only notice good design when it is absent. A faucet that splashes too far, feels awkward in the hand, or sits slightly out of alignment can disrupt a routine in ways that are subtle yet persistent. These are small irritations, but they reveal a larger truth: the objects used every day often have […]
Running from November 27, 2025, to May 31, 2026, the exhibition traces how Art Deco moved from global design movement to localized expression through Philippine architecture, furnishings, fashion, and everyday life. The National Museum of Fine Arts’ Art Deco: Modernity and Design in the Philippines 1925-1950 explored the history of the Art Deco style in […]
Flooring can profoundly influence how a space is experienced. Long before furniture and finishes are introduced, the floor establishes a visual field that shapes movement, light, and proportion. This is where large-format tiles are particularly effective. By reducing the number of grout lines across a floor or wall, they create a more continuous surface. The […]
Since setting up her design firm, MB Architecture Studio, in 2007, Ar. Micaela Benedicto has built a diverse portfolio of architectural projects. Her works, whether residential or commercial, showcase a distinct spatial quality, “I like to create things that can go from something static to something that is alive and reactive,” Benedicto states. “In creating […]
Download this month's BLUPRINT magazine digital copy from:
Subscribe via [email protected]