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Arts & Culture

Anton V. Quisumbing Returns to Sculpture at the Yuchengco Museum with Pasulong

May 21, 2026
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Pasulong by Anton V. Quisumbing explores loss, longing, and repair. Two years in the making, Quisumbing pieced together the remains of bronze propellers from boats damaged in the aftermath of Typhoon Odette in 2021. 

Curated by Miguel Rosales and designed by Caramel Creative Consultancy, the exhibition consists of twenty-nine compositions. The works suggest that moving forward is rarely linear, mirroring the artist’s return to sculpture after a solitary period devoted to painting.

Anton V. Quisumbing, Sculpture, Pasulong
Anton Quisumbing, “Archangel”, 2025, Bronze, 102 x 46 x 32 cm. Photo by Zach Aldave and courtesy of the artist.
Bald man with glasses stands with arms crossed in a sunlit workshop, trophies visible in the background.
Anton Quisumbing. Photo by Zach Aldave and courtesy of the artist.

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What does Pasulong mean to Anton Quisumbing?

Working with bronze, Quisumbing reaffirms his ability to adapt to both material and circumstance. The material’s malleability is both unforgiving and physically taxing. The sculptures showcase arcs and material curvatures that underscore motion: from shapes that are reminiscent of spiritual symbols to others that present themselves as buried strokes towards elsewhere. 

Abstract black-and-white metal sculpture of a bird in flight on a pedestal, with flowing, curved shapes and a glossy surface.
Detail view of Anton Quisumbing’s sculpture. Image by Zach Aldave. Photo by Zach Aldave and courtesy of the artist.
Close-up of abstract metallic ribbons twisting and curving, forming a chrome sculpture against a blurred background, in black and white
Detail view of Anton Quisumbing’s sculpture. Image by Zach Aldave. Photo by Zach Aldave and courtesy of the artist.

In Pasulong, Quisumbing examines what a man can make in the aftermath of destruction. This exhibition also serves as a prelude to his new direction in his artistic practice. 

Related Reading: Designing ALT ART 2026 at SMX Manila: Baby Imperial on Building an Art Fair

Portrait of a bald man with glasses standing arms crossed in a dimly lit gallery with sculptures and pedestals nearby (black and white).
Anton Quisumbing. Photo by Zach Aldave and courtesy of the artist.

Beauty Emerges from the Wreckage

Depicting a misshapen figure standing tall on a twisting metal base, Sight is a pivotal piece in the collection. Its almond-shaped eye runs horizontally across its center, with an armor on the left that appears to shield it from external aggressors. Ultimately, it demonstrates lightness despite the weight of what we carry, including the artist’s reflection on imperfection. 

Abstract brass sculpture with intertwined curved shapes and a circular loop on top, mounted on a square pedestal.
Anton Quisumbing, “Sight”, 2024, Bronze, 63 x 40 x 22.8 cm. Photo by Zach Aldave and
courtesy of the artist.

Pasulong attempts to make sense of the wreckage while building something new. The exhibition marks his point of departure from painterly ways and into concrete forms of mending. 

Article header photographed by Zach Aldave and courtesy of the artist.

Frequently Asked Questions (FAQs)

The exhibition is located at the Main Gallery, Y Space at the Yuchengco Museum, RCBC Plaza, Makati City, Philippines

May 15 to 30, 2026

Anton V. Quisumbing (b. 1970 in Cebu, Philippines) is a renowned sculptor and painter. A graduate of Fine Arts (Sculpture) at the University of the Philippines Diliman, he has decades of experience in the fabrication and furniture industry. His works have been featured in exhibitions at the Ayala Museum, Alliance française de Manille, and many other stages across the globe. 

The exhibition consists of twenty-nine compositions that process loss, longing, and repair. Two years in the making, Quisumbing pieced together the remains of bronze propellers from boats damaged in the aftermath of Typhoon Odette in 2021. 

Yes, the Yuchengco Museum has an entrance fee of PHP 200 for regular admission, and PHP 100 for students, PWDs, and senior citizens.

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Caryll Ong

Contributor

Caryll Ong is a writer and researcher with a background in sociology and a keen interest in urban planning and human mobility. Her work explores the ways people navigate, experience, and shape the built environments around them.

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