Born and raised in San Pablo City, Laguna, Ito Kish made a name for himself through residential and commercial design, as well as curatorial work. This new season, built on the idea of Filipino Culture Meets Global Curiosity, unfolds both as a composed showroom environment and a new collection shaped by stillness and balance.
Ito Kish’s eponymous brand, I T O K I S H, now lives in an experiential space in Makati City. Visitors enter through a black room filled with unique pieces handpicked from his travels: Murano glass, coasters from the Guggenheim Museum, and playful animal erasers. These objects formed the brand’s 2026 launch assemblage entitled From the Neighborhood of Venice. The star of this collection is the framed cards featuring reproductions of technical design sketches associated with Venini’s Murano glass tradition that depict glass forms rendered with measured proportions and construction notes.
“These pieces bring a sense of travel, curiosity, and design history into the home, adding another layer to the season’s story,” Kish describes.
From the anteroom, the main showroom offers an immersive experience through the mindful dressing of contemporary, timeless, and vintage pieces. Guests are open to the beauty of everyday living in quiet rituals of gathering and careful placement of objects in the home.
Kubyertos, a sculptural nod to the giant spoon-and-fork emblematic of Filipino dining rooms in the 70s and 80s, is reimagined in color and nuanced floral details. This treatment turned tradition into a design language rooted in shared experience.
Around the room, stone and glass reinforce the season’s quiet discipline. A sculpted marble lamp base with a soft linen shade anchors a room with warmth and grace. Petrified obelisks carry ancient textures in measured balance, bringing elemental calm to any space. The sculptural weight of a rounded, textured glass vase creates a thoughtful focal point in a space.
“Many of the pieces are intentionally versatile—tables that work across different spaces, seating that can move indoors or outdoors, vessels that shift in function over time,” states Kish.
The main challenge in creating this collection was achieving simplicity with depth. “It’s easy for minimal pieces to feel empty if proportions and materials are not carefully resolved. This pushed us to refine silhouettes and focus on tactile quality rather than decorative elements,” states Kish.
Kish began with anchor forms, allowing stone and glass to articulate the season’s balance. The density of stone anchors the room in permanence, while glass — reflective and translucent — softens it with light and shifting movement.
Ultimately, Kish’s newest collection advocates for a more enduring relationship with furniture — favoring long-term commitment over short-term use. For him, longevity is as much about meaning as it is about material.
“We are consciously expanding ITO KISH Design toward Filipino narratives that resonate beyond the local context,” he explains. “That meant being selective—choosing ideas that feel culturally grounded but universally understood through form and material.”
Photographed by Ed Simon.
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