Advertisement

Every August, the city of Davao blooms in a celebration of life. The streets blossom with colors and come alive with music, dances, and parades, painting a portrait of the locale’s cultural heritage. This week-long festival known as Kadayawan is the Davaoeños’ way of paying tribute to the gifts of life and nature, the bountiful harvest of the land, and the various cultures that give the city its identity. Harvesting the spirit of this iconic festival as a design concept is no easy task, which is what DEQA Design Collaborative set out to do for the Kukun Food Hall in Davao City. 

Stimulating the Senses

The entrance to the Kukun Food Hall isn’t just an invitation to a dining space, but a celebration of Davao heritage and culture represented by the hand-carved ceiling ornaments and column murals.
The entrance to the Kukun Food Hall isn’t just an invitation to a dining space, but a celebration of Davao heritage and culture represented by the hand-carved ceiling ornaments and column murals.

“Kukun” translates to kusina at kultura ng Dabaw, a name that the design team wanted the space to live up to. The food hall occupies 644 square meters within the commercial center, and basically acts as a communal area for visitors in both function and spirit. 

“We designed a space that is not just a dining destination but an experience that invites people to connect, celebrate, and savor the flavors of Mindanao in a setting infused with meaning, tradition, and a deep sense of place,” says primary architect Denise De Castro. 

From the entrance, the explosion of colors, patterns, and art can immediately be appreciated through the food hall’s open layout.
From the entrance, the explosion of colors, patterns, and art can immediately be appreciated through the food hall’s open layout.

The savoring of Mindanaoan flavors begins from the itself. Most dining spaces are designed to stimulate diners’ appetites and enhance their dining experience, and the Kukun Food Hall achieves this through the tasteful use of colors and materials that evoke familiarity, comfort, and reverence for Mindanao heritage. 

From the entrance alone, the indigenous influence can be seen and felt through the wood ceiling treatment that leads the eye through the wooden arch built over the glass doors. Okir carvings line the surfaces of the wood, providing a glimpse of the cultural experience for guests inside the food hall. 

A Unique Cultural Connection

The playfulness of the Kukun Food Hall is supplemented by its strong connection with Mindanao culture, which was a particular focus of DEQA during the design process. The okir carvings on the ceiling treatments pay homage to traditional Maranao designs, specifically from the intricate shell inlays found in Maranao chests. 

Even the ceiling of Kukun Food Hall offers plenty of visual interest, with its interplay of modern materials such as panels with dichroic film and the wooden ceiling ornaments.
Even the ceiling of Kukun Food Hall offers plenty of visual interest, with its interplay of modern materials such as panels with dichroic film and the wooden ceiling ornaments.

Symbolizing power and status, the okir carvings are hand-carved by local artisans themselves to further strengthen locals’ ties to their heritage. “We had to be culturally sensitive with the use of the ornament, especially in our choice of color,” says De Castro. 

The Kukun Food Hall did encounter challenges in its construction, stalled right before the COVID-19 lockdowns despite design development already finished. But like any flower, it simply needed time to bloom into a garden of Mindanaoan heritage and culture, one that Davaoeños can savor like any of the delicacies it offers.

Read the full story by grabbing your copy of BluPrint Volume 1 2025, available at sarisari.shopping, Shopee, and Lazada.

E-magazines are available for download here or through  Readly, Press Reader, and Magzter.

Photos by Ed Simon.

Frequently Asked Questions

The design is inspired by the spirit of the Kadayawan Festival, celebrating Davao’s bountiful harvest and diverse cultural heritage. DEQA Design Collaborative aimed to translate “kusina at kultura ng Dabaw” into a 644-square-meter communal space that invites diners to connect with Mindanaoan traditions through a sensory experience that feels both meaningful and deeply rooted in its specific location.

The food hall features an open layout adorned with hand-carved okir ornaments on the ceiling, paying homage to traditional Maranao shell inlays. These intricate carvings, paired with vibrant column murals and wooden archways, create a visual narrative of power and status while guiding guests through a cultural journey that complements the diverse regional flavors served on the plate.

The design team utilized an interplay of modern and traditional elements, such as panels treated with dichroic film juxtaposed against hand-carved wood by local artisans. This combination allows for a playful yet respectful aesthetic where contemporary lighting effects meet ancestral craftsmanship, ensuring the space remains relevant to modern diners while strictly honoring the cultural sensitivity of traditional Mindanaoan ornaments.

Beyond being a dining destination, Kukun acts as a “kusina at kultura” (kitchen and culture) hub designed to foster social connection and shared celebration. By using a palette of colors and textures that evoke comfort and familiarity, the space functions as a functional and spiritual gathering point where locals and visitors alike can savor Mindanao’s identity in a tastefully curated environment.

Primary architect Denise De Castro emphasized that the team worked closely with local artisans to ensure the hand-carved okir designs were used appropriately, particularly regarding color choice and placement. This collaborative effort ensured that the symbols of Maranao heritage were not merely decorative but were integrated with reverence, successfully turning the food hall into a blooming garden of authentic Mindanaoan culture.

Protected: Designing for Comfort at Every Scale

There is no excerpt because this is a protected post.

Sketching Modernity 07: The Meralco Building

Revisiting Jose Maria Zaragoza’s 1969 modernist landmark on Ortigas Avenue, where corporate architectureArchitectureThe art and science of designing and constructing buildings, structures, and spaces that are functional, safe, and aesthetically pleasing. It encompasses the planning, design, materials, and techniques used to createGo to Architecture Glossary, performing arts, and personal memories come together. The Meralco Building […]

Protected: Architecture Across Borders: HAENGLIM on Golf, Leisure, and Designing for Place

There is no excerpt because this is a protected post.

Dominic Galicia at the Anthology ASEAN Architecture Festival 2026

Lessons From Anthology 2026: Dominic Galicia on Cultural Identity in Architecture

Culture is not just a motif incorporated into architectureArchitectureThe art and science of designing and constructing buildings, structures, and spaces that are functional, safe, and aesthetically pleasing. It encompasses the planning, design, materials, and techniques used to createGo to Architecture Glossary and interior design. It is shaped by people, places, and shared experiences. On the […]

Federal Land's Yume at Riverpark

Room to Grow: A Japanese-Inspired Approach to Family Living at Yume at Riverpark

The idea of home extends beyond the walls of the house. It also considers the spaces and environments people share—the larger setting that supports everyday life. At Yume at Riverpark, these considerations begin with individual homes and lots, extend to the shared landscape of an 18-hectare residential development in General Trias, Cavite, and ultimately connect […]

What The Pop! Exhibition by PSID

“What the Pop!” Exhibition Translates Four Generations of Filipino Culture Into Interactive Interior Spaces

PSID presents “What the Pop!,” an exhibition opened on the third floor of V-Mall in Greenhills, San Juan City, that examined how popular culture shaped Filipino homes and lifestyles. Through spaces representing four generations—Baby Boomers, Generation X, Millennials, and Generation Z—the exhibit explored how each era’s experiences inform its approach to interior designInterior DesignThe discipline […]

Miguel R. Llona

Contributor
Read the issues.
Collect the volumes.

Recommended Video

Tap to Unmute
Unmute
0:00
0:00 / 0:00
0:00

To provide a customized ad experience, we need to know if you are of legal age in your region.

By making a selection, you agree to our Terms & Conditions.