Ayala Museum: From Brutalism to Contemporary Modernism
The Ayala Museum designed by the firm of Leandro V. Locsin Partners (LVLP) sits at the corner of Makati Avenue and Dela Rosa Street in Legaspi Village, Makati. This is actually the second museum of the same name in the area. The original, which was designed by National artist for ArchitectureArchitectureThe art and science of designing and constructing buildings, structures, and spaces that are functional, safe, and aesthetically pleasing. It encompasses the planning, design, materials, and techniques used to createGo to Architecture Glossary Leandro V. Locsin in 1967 was located less than a hundred meters down the road. I loved the previous iteration, which was pure brutalist in its massing, and more intimate inside. It possessed a sequence of spaces that compressed and releases as you walked inside; a hallmark of the old maestro’s oeuvre in the 1960s and 1970s. The last time I saw Architect Locsin was at the museum in 1989, at an event marking the launch of a now defunct design magazine that featured him and his work. I wrote my first published article on design for that publication. BluPrint’s first issue would come a decade later.
Unfortunately, as we moved into the new millennium, the structure was demolished to make way for Greenbelt 4. We all shed a tear, but were told that the new structure would have more space for exhibits and serve as a portal to Greenbelt Park inside. The newer structure was completed in 2004, in time for the 170th anniversary of the Ayala Corporation. Compared to the older building, it Is lighter in feeling, and although it still has touches of brutalism, it is more contemporary modern in style.
How the Ayala Museum Connects to Greenbelt Park
Being a gateway to the park beyond, its mass is broken into two, a glass tower and a short three-story granite-clad mass that houses its exhibit galleries and event spaces. The Filipinas Heritage Library, which houses 15,000 books and artifacts, occupies the sixth floor of the tower. The building also provides as link between Greenbelt 4 and Greenbelt 5 on the second level, providing passers-by with views of the park on one side and interior displays of the museum on the other. The ground floor holds the requisite museum shop and a café, which has an al fresco patio serving as pedestrian interface with Greenbelt Park behind.

(Photo from omacnicole.wordpress.com)
I still miss the original, along with the old walk-in aviary (yes, there were birds and other fauna to be found inside). I also remember with fondness the old park landscape and its lagoon, designed by National Artist Ildefonso P. Santos, who was heavily influenced by the famous Brazilian landscape architect Roberto Burle Marx. But all this is just the persistence of architectural memory for me.
Sketching Modernity is a series of analog illustrations and reflections on landmark buildings and sites by BluPrint Editor-in-Chief Paulo Alcazaren.
The present Ayala Museum was designed by Leandro V. Locsin and Partners (LVLP) and completed in 2004.
The original Ayala Museum was designed by National Artist for Architecture Leandro V. Locsin in 1967.
The original building was demolished as the Greenbelt complex was redeveloped to make way for Greenbelt 4. A larger Ayala Museum was subsequently built nearby.
The present building is lighter in character than its Brutalist predecessor. It retains touches of Brutalism while taking on a more contemporary modern style.
The museum serves as a gateway to Greenbelt Park. Its second level provides a connection between Greenbelt 4 and Greenbelt 5, while the building offers views and pedestrian connections to the park.
Paulo Alcazaren
Paulo G. Alcazaren is an architect, landscape architect, urban designer, writer, and journalist with more than three decades of experience in design practice. A graduate of the University of the Philippines and the National University of Singapore, he is a registered Landscape Architect and Environmental Planner and has led nearly 250 projects across 14 countries, shaping master plans, civic spaces, parks, and waterfront developments in the Philippines, Singapore, Malaysia, China, and beyond. He is also an accomplished author and columnist, with numerous publications on architecture, design, and urban history. Alcazaren serves as Editor-in-Chief of BluPrint and continues to advocate for heritage conservation, public parks, and open spaces.
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