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House in Muko: Reconfiguring Japan’s Past with Modern Needs

June 21, 2024
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Humanity exists in a constant state of re-litigating the past and the present. It’s gotten to the point that academics can pinpoint how long it’ll take before something becomes idealized in the present (minimum twenty years). And it happens with , too. Styles come and go and come back again, and we reinvent new ways of returning the past to the present. Thus, residential buildings like the House in Muko exist. 

Sky-high view of House in Muko. Photo by Toshiyuki Yano.
Sky-high view of House in Muko. Photo by Toshiyuki Yano.

Located in Muko City in Kyoto, Japan, Tomohiro Hata Architect and Associates designed and built the home. The company’s lead architects for the project were Tomohiro Hata, Kazuki Kimura, and Misato Takagi.

The owner of the residential building gave a relatively straightforward request to the architects. They wanted a “farm-style” house akin to the ones that used to exist abundantly in Muko before industrialization lessened its attractiveness. But while they wanted that kind of farm house, they also wanted it to be melded with modern sensibilities. 

Finding the Overlap in Design

For Hata and company, the challenge became finding the overlapping points from a design perspective. Farm houses in the past, they surmised, contained lots of open spaces for farm work. They also realized that the houses of the past would be bound to a hierarchical arrangement of rooms and buildings, which were explicitly separated depending on one’s rank.  

House in Muko's courtyard at night. Photo by Toshiyuki Yano.
House in Muko’s courtyard at night. Photo by Toshiyuki Yano.
Elevated view of the courtyard. Photo by Toshiyuki Yano.
Elevated view of the courtyard. Photo by Toshiyuki Yano.
Ground view of the courtyard. Photo by Toshiyuki Yano.
Ground view of the courtyard. Photo by Toshiyuki Yano.

For the first point, the architects worked towards ensuring a spacious environment within the building. The center of the house holds an open courtyard filled with grass and trees, a good frolicking area for the home’s residents. Much of the rooms and buildings also utilize high ceilings and roomy aesthetic features. This includes wooden cavity wall doors and floor-to-ceiling windows across the rooms. 

Spacious look at one of the rooms in the building. Photo by Toshiyuki Yano.
Spacious look at one of the rooms in the building. Photo by Toshiyuki Yano.
Spacious look at one of the rooms in House of Muko. Photo by Toshiyuki Yano.
Spacious look at one of the rooms in House of Muko. Photo by Toshiyuki Yano.
A staircase in the residence. Photo by Toshiyuki Yano.
A staircase in the residence. Photo by Toshiyuki Yano.
Perspective of House in Muko from a higher portion of the house. Photo by Toshiyuki Yano.
Perspective of House in Muko from a higher portion of the house. Photo by Toshiyuki Yano.

Beyond that, the architects found a way to integrate the hierarchical arrangements without actually separating the rooms in that matter. They kept the idea of clustering rooms, creating what they called “neutral and free living spaces” where different spaces flow into each other.

Seeking Comfort Beyond Hierarchies

Beyond those building design principles, the House in Muko looks the part of a modernized farmhouse. Its closed-off design mimics different Japanese aristocratic housing in the past, with the angular rooftops and its grey concrete-esque build creating an aura of modernity. 

Outside look for the House in Muko. Photo by Toshiyuki Yano.
Outside look for the House in Muko. Photo by Toshiyuki Yano.

Inside the house itself, the communal rooms are filled with design hallmarks of the past. The rooms use wooden planks in the walls, and some of the windows mimic fusuma paper sliding doors. It adds up towards a farming compound modernized for the needs of a residential home today. 

One of the rooms of the house with fusumi-like windows. Photo by Toshiyuki Yano.
One of the rooms of the house with fusumi-like windows. Photo by Toshiyuki Yano.
A room with the bookcase and sliding doors. Photo by Toshiyuki Yano.
A room with the bookcase and sliding doors. Photo by Toshiyuki Yano.
One of the rooms of the house with fusumi-like windows. Photo by Toshiyuki Yano.
One of the rooms of the house with fusumi-like windows. Photo by Toshiyuki Yano.

The House in Muko strives to find the past in the present. They discard what doesn’t match today and bring forward what they can work with. It ultimately succeeds by finding the same notes of design—possibly used in a different tone then—and adapting it to modern sensibilities. 

Related reading: Encounter the Synergy of Japanese Expertise and Filipino Hospitality Through the Seasons Residences

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