Angat Sining is an exhibition showcasing visual artists who benefitted from the Angat Sining Fellowship. Shown at UP Parola Gallery, it enrolled twelve high school students in a six-month program to “explore their artistic potential through various art forms.” It was done in partnership with Metrobank Foundation, Inc. and the Ateneo de Manila Fine Arts Department.
The fellowship is run by Angat Buhay, a non-government organization that came about in the aftermath of the 2022 Presidential campaign of Leni Robredo. Despite her loss, the organization seeks to continue its goal of empowering different marginalized communities.
The Angat Sining Fellowship functions as part of the organization’s Arts & Culture initiative. They describe it as a project “dedicated to fostering an inclusive space for mutual learning, dialogue, and networking between emerging young talent and established artists in the Philippines.”
“The initiative is driven by the dedication of volunteer artists who passionately dedicated their talent, time, and effort from the very beginning,” the organization said. “By providing them with a platform, we aim to nurture and empower them to become better creators for the nation.”
For the fellowship’s six-month program, the organization assembled a roster of celebrated artists to mentor the high schoolers. It includes artists like BenCab, Mark Justiniani, Toym Imao, and AG Saño, as well as artist collectives like Ang llustrador ng Kabataan (Ang INK), Fotobaryo, and The Mighty Bhutens.
The experts “not only fostered artistic growth but also emphasized the importance of social impact through art,” the exhibit write-up said. “By engaging with the broader community and creating works that resonate with Filipino culture and values, the fellows were inspired to use their creative talents to drive positive change.”
For many of the artworks exhibited, they exude a lot of unique potential and perspectives from different sectors of society. Janessa Balingit, for example, utilizes a unique mix of acrylic paint, cloth, and different found objects to craft quasi-realistic impasto paintings of different childhood memorabilia.
Others, like Riva Awat, reveal some of their more personal struggles in their work. Awat painted a series of watercolor paintings that depict an existential crisis, with the focal symbol being fishes swimming around the human figure. They said that the paintings function as“my way of letting go of what once held me back, and I hope it inspires others to find their own light in the darkness.”
For some of the high school students featured, it allowed them an avenue to discuss their own sociopolitical situations. Prinz Rongcal, for example, painted the bodies of guitars as a way of representing the importance of traditional culture in our art. Meanwhile, John Benedict Medalla designed a six-panel work that communicates the idea of “metamorphosis” through butterflies, with a subtextual metaphor that addresses the queer themes the artist is interested in.
J’Anne Kristel Tolosa’s blend of traditional paintings and mixed media artworks also find interesting ways of illustrating the daily grind faced by different people in the country. One work uses bus tickets in the midst of being washed away. In contrast to that, the artist also paints a jeepney parked next to a waiting shed.
Her other works in the exhibit certainly hint towards a hunger for creativity that plays with the dynamics of ideas and how the medium can serve them differently. Two works here by her center on flowers, but one puts dried flowers on the canvas while the other appears to use paint to depict its blossoming.
Overall, Angat Sining veers towards an attempt to democratize art in both access and topics. It showcases the importance of evolution and practice in making artworks. More than that, it provides the necessity of giving space for growth and freedom for even the youngest artist to ensure both variety and a wide-eyed engagement to Filipino society at large.
The exhibit will be viewable at UP Fine Arts Parola Gallery until February 19.
Photos by Elle Yap.
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