Advertisement
Arts & Culture

‘Canned Thoughts’ Explores Capitalism’s Influence on Morality

June 5, 2024
|
By 

Carlo Tanseco’s Canned Thoughts, shown in Art Cube Gallery from May 4 to June 1, plays with Pop Art-esque styles in ways that question the way society influences our own personal moralities. 

As interconnected as we are because of social media, it comes with the knowledge that society’s moral codes aren’t as definite as we once taught. We see governments and corporations spouting half-truths and lies to protect their own and their allies’ interests. We find ourselves inundated with talking points, forced to choose sides on topics which aren’t easy to define. 

With Canned Thoughts, Tanseco tackles the topic with playful aplomb, using the formatting and design of different popular household brands as a way of taking shots at trending news items and the local traditions of today. 

One of the works by Carlo Tanseco parodying a local fish brand. Photo by Elle Yap.
One of the works by Carlo Tanseco parodying a local fish brand. Photo by Elle Yap.

The cans’ humor and topicality has crossed over to slight virality on different portions of social media. The sardine brand parody, in particular, using the message of respecting a country’s maritime sovereignty, found an audience agreeing with the sentiment. 

Pop Art and Relatability

Tanseco’s success in the exhibit comes from its relatable concept. Companies spend literal millions to create memorable logos that push consumers to buy their brands. One can find popular brands on shelves in supermarkets and pantries—literally their entire existence is to be easily-identifiable so that people choose their brands faster.  

A wall of the brand parodies in a Pop Art ordered style. Photo by Elle Yap.
A wall of the brand parodies in a Pop Art ordered style. Photo by Elle Yap.

The exhibit write-up pointed to Pop Art as the inspiration for the project, akin to Andy Warhol’s “Campbell’s Soup Cans” where he painted each of the company’s offerings individually. But the artist’s approach differs from Warhol because there is no lingering affection for the branding itself. 

Mirror of Society

One of the artwork parodies in Carlo Tanseco's "Canned Thoughts." Photo by Elle Yap.
One of the artwork parodies in Carlo Tanseco’s “Canned Thoughts.” Photo by Elle Yap.
Two artwork parodies in Carlo Tanseco's "Canned Thoughts." Photo by Elle Yap.
Two artwork parodies in Carlo Tanseco’s “Canned Thoughts.” Photo by Elle Yap.
Two artwork parodies in Carlo Tanseco's "Canned Thoughts." Photo by Elle Yap.
Two artwork parodies in Carlo Tanseco’s “Canned Thoughts.” Photo by Elle Yap.
Different brand logo parodies made by Carlo Tanseco. Photo by Elle Yap.
Different brand logo parodies made by Carlo Tanseco. Photo by Elle Yap.
Sardine brand logo parodies made by Carlo Tanseco. Photo by Elle Yap.
Sardine brand logo parodies made by Carlo Tanseco. Photo by Elle Yap.
A tuna brand parody shown in the exhibit.. Photo by Elle Yap.
A tuna brand parody shown in the exhibit.. Photo by Elle Yap.

Rather, the approach centers a lot on using that brand recognition to create a mirror of ourselves and our society. One can see the exhibit and see that the artist treats the brand logos like conduits of ideas, a spell giving charge to ensure as many eyeballs to the sentiments as possible. In essence, the ubiquity of brand logos becomes a conduit to discuss what’s important to us—a way of giving a comfortable sheen to thorny ideas.

The sardine brand parody got traction online, but Tanseco gets some great shots in some of his works in the exhibit. The punchiest one is a parody of a prestigious canned meat brand’s simple white packaging where he talks about delicadeza and honor as a Filipino trait. It’s a great artwork on its own, but knowing the context behind it, that the brand is owned by the family of a certain former Senate President and architect of Martial Law, gives it a bite it otherwise wouldn’t have.

A brand logo parody of a local meat brand. Photo by Elle Yap.
A brand logo parody of a local meat brand. Photo by Elle Yap.

Brand Logos as Cultural Icons

That tickle of recognition gives Canned Thoughts a lot of its charge. It feels funny to see someone repurposing a vienna sausage brand’s logo into a message about love, or the Spam brand being used to critique conformity. The approach is broad, but there’s a genuine subversiveness to the artist using these corporate entities as a way of speaking their thoughts on society. 

The exhibit shows these parodies in the traditional framed paintings and in a painted half-can sculpture that’s mounted on the exhibit walls. There’s also a faux sari-sari store at the edge of the exhibit to complete the look of the typical Filipino household. 

The sari-sari store up close. Photo by Elle Yap.
The sari-sari store up close. Photo by Elle Yap.
A broad view of the exhibit room. Photo by Elle Yap.
A broad view of the exhibit room. Photo by Elle Yap.
The brand parody sculptures mounted on the wall. Photo by Elle Yap.
The brand parody sculptures mounted on the wall. Photo by Elle Yap.

The mounted sculptures feel interesting because it evolves these brands beyond the pantry and into a larger-than-life position. Beyond the expressed sentiments of each work, it reminds us of the power of these marketed brands in our lives. We recognize them in an instant, we assign them their own spaces in our homes. In certain ways, the sculptures show their unspoken importance to our culture not unlike religious figures or posters of our favorite musicians. 

Carlo Tanseco’s Canned Thoughts bring a simplicity of message to the forefront which utilizes the power of commercial ubiquity. It strikes into the heart of our human sentiment, and imparts these ideas in ways that’s both subversive and allows us into the heart of the matter.

Related reading: A Pop of Green: This Matcha Place Offers Minimalist Interiors with Unique Personality 

The Galleon by Ortigas Land

The Galleon Shapes a New Chapter for Ortigas

As one of Metro Manila’s established central business districts, Ortigas has grown into a vibrant center for business, commerce, and urban living, strategically spanning Pasig, Quezon, and Mandaluyong City. At the core of the district lies the Ortigas CBD, home to some of the country’s leading corporations and institutions. Adding a new dimension to this […]

White Brick Studio Cebu City

White Brick Studio: From a Nostalgic Landmark to a Creative Playground

In the heart of Midtown Cebu lies White Brick Studio, a creative hub where visual professionals gather to collaborate and elevate design standards across Visayas and Mindanao. Midtown, more known as a vibrant entertainment district, owes much of its growing network of creative spaces mainly to Mango Square Mall where White Brick is located, Atúa […]

CAW House by Studio Tille

CAW House: How Architecture Interprets Everyday Life

Standing on a former 1,200-square-meter pineapple plantation is CAW House, a Mid-Century Modern-inspired loft located just on the border of Silang and Tagaytay, Cavite.  Designed by Rizal-based architecture firm Studio Tille, at first glance, the structure seems like a typical Mid-Century home, featuring a facade adorned with wood and stone cladding, a flat roof, floor-to-ceiling […]

Espejo ni Pinggoy Art Gallery

Espejo ni Pinggoy: Where a Home Became a Gallery

In Malanday, Marikina, a simple home’s garage has been transformed into a studio-gallery called Espejo ni Pinggoy. Once considered by Pinggoy Generoso as a waste of space, it now serves as his favorite spot in the house, “When I renovated this part of the house, my main goal was to make it a very relaxing […]

iPAMANA SoFA Design Institute Event Mirare Credenza

iPAMANA: SoFA Design Institute Students Reinterpret Filipino Heritage Through Furniture

What happens when furniture becomes a medium for preserving culture? At SoFA Design Institute’s iPAMANA: Honoring Filipino Stories Through Furniture exhibition, thirteen Furniture Design students explored how contemporary design can reinterpret Filipino heritage for a new generation. Presented on July 5, 2026, the exhibition challenged its emerging designers to look beyond convention, developing furniture rooted […]

Good Design Award 2026 Malasakit Gran Prix winner

The Banwag: A Beacon of Malasakit in Filipino Design

In Parang, Maguindanao, a simple community pavilion is helping create space for dialogue, connection, and coexistence among Muslim, Christian, and Lumad communities. Known as The Banwag, the project by Studio Impossible Projects Inc. recently received the Gran Prix Malasakit Award, the highest honor at the 2026 Good Design Award Philippines, recognizing its embodiment of malasakit […]

Elle Yap

Contributor
Download this month's BLUPRINT magazine digital copy from:
Subscribe via [email protected]

Recommended Video

Tap to Unmute
Unmute
0:00
0:00 / 0:00
0:00

To provide a customized ad experience, we need to know if you are of legal age in your region.

By making a selection, you agree to our Terms & Conditions.