A growing coalition of heritage conservationists and cultural advocates is calling for the urgent call to declare the Pasig River a National Cultural Treasure (NCT). They cite the river’s irreplaceable historical, cultural, and ecological significance. The move comes amid renewed concerns over the Pasig River Expressway (PAREX), a controversial 19.37 kilometer, 6-lane expressway that critics […]
‘Territorial’: Artists Discuss the West Philippine Sea Dispute in New Exhibit
Territorial, a group exhibition by Space Encounters opened on July 12, takes on a timely, news-worthy topic. The new exhibit lays bare the angry, complicated feelings that lay beneath the current territorial dispute between China and the Philippines at the West Philippine Sea.
The Philippines has been locked in a decades-long battle against China over the latter’s “nine-dash line” territorial claims. On July 12, 2016, the Philippines won its case against the “nine-dash line” claims in a UN arbitral tribunal.
Instead of being able to follow through on the ruling, however, the Philippines has spent over eight years in an escalating fight against China over its own sovereign territory. Different twists in the plot abound over it, from Duterte’s alleged agreement to waive the country’s claims, to Marcos, Jr.’s more aggressive push for the territories.
It appears likely that this fight will continue for years to come.
From the Political to the Personal
Territorial, then, comes in a fraught time in this dispute. Reports about the Chinese Coast Guard’s attacks against Filipino fishermen circle the news daily. There’s a push from the government for militarization and an alliance with the West. The artists in the exhibit create their art from such a charged political atmosphere.
“Mention ‘territorial’ and Pinoys will say, ‘Ay possessive!’ Is it the years of colonization that makes us think that this trait—to fiercely protect—is bad? Have we gotten so used to having our possessions, our lands, taken away?” the exhibit write-up said.
For the exhibit, much of the works showcase interpretations of the Philippine map to portray the subjugation felt by the populace over the matter. Rommel Cahilo’s “Kanlurang Kilapsaw,” for example, recreates the Philippine map with the disputed areas in prominent display.
Volta’s “Gonna Tell My Kids This is West Philippine Sea” paints a map of South East Asia, with the eyes of a Filipino peering through the waters as it gets painted over by a pig-humanoid creature. Meanwhile, Arno Salvador’s “Tumpak na Mapa ng Pilipinas” pieces the map together through pages of paper, before superimposing a drawing of the mountains over it.
Betrayal in the Territorial Fight
But it goes beyond images of the territory; the exhibit itself focuses on yielding space to allow the artists to dissect the complicated emotions related to this fight.
So we get “Kanlungan Sa Kanluran” by JCDELIC, who paints fishermen out at sea as the skies and waters turn blood red. The painting evokes a sense of doom for the fisherman, who day-in and day-out face the aggression of Chinese forces as they attempt to do their living.
We also get Burn Aquino’s “Gentleman’s Agreement,” which is a crumpled shirt with Duterte’s face and bull printed on it. Stamped ink saying “Made in China” proliferate the shirt. It expresses the artist’s anger over the former President’s apparent selling-out of the country to Chinese interests.
“Colmillos del Archpélago” by Kirk Tabanera takes a more proactive stance on the subject. Their work portrays a sea-lion behind imperial walls watching over the disputed islands. In essence, the artist is reiterating the need for the powerful to keep possession of the lands of the country. It is, more than anything, a call to fight for what’s ours instead of yielding to other powers.
Dealing with Trauma
The works feel deeply rooted in the meaning and identity of the Filipino themselves. For these artists, this territorial dispute is a time for togetherness, as a way of rediscovering the meaning of being Filipino.
Works like Jesse Camacho’s “Even the Fishes are Filipino” or “Panacot, Galit, at Lumbay” by Laki Mata communicate this feeling of togetherness that we have as we experience this collective trauma in our country. And “Barangay Bantigue Palawan” by Clint Policarpio finds the community which exists in the experience—one that transcends the trauma into creating a better future for the country.
Territorial expresses some of the grand emotions felt by the Filipino people for this dispute. Beyond that, it works as a time capsule for our politically-fraught time, as a way for Filipinos to find the strength inside them to stand for their own interests against a world superpower.
Related reading: Josephine Turalba Showcases Her Tapestry of Life ‘Click. Share. Tag.’
There is no excerpt because this is a protected post.
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