Culture in design does not always announce itself through a recognizable motif, material, or symbol. It can also be embedded in the relationships designers build, the knowledge they listen to, the materials they choose, and the decisions they make in response to communities and their environments. This distinction emerged throughout the 2026 International Design Conference […]
Lamina Lifestyle Fair Opens with Collaborative Art Couture Show
Lamina: A Curated Lifestyle Fair was a three-day event held at City of Dreams Manila from May 2 to 4, spotlighting the latest trends in art, fashion, and design. A collaboration between ManilArt Foundation and the Bayo Atelier Foundation, the event features modern contemporary designs and art couture rooted in sustainability and heritage—offering functional, stylish pieces for today’s consumers.
Translating Art into Clothing
A curated collection of artists, fashion designers, jewelers, and furniture makers were featured in the exhibition, many of which are small-scale artisans making hand-crafted works. The big spectacle of opening day was “Luminous Threads,” which debuted three new fashion lines from artists Francis Dravigny, Anna Orlina, and Bea Policarpio. Each portion had a thematic idea that centered around the voices of the artists involved.
Dravigny’s fashion line, made in collaboration with designer Patis Tesoro, leaned towards both indigenous and traditional Filipino designs, integrating hallmarks like the conical farmers’ hat to its design. Even then, Dravigny’s tendency of creating patchwork textile art comes into play, creating a stylish line of clothes that still feels recycled and sustainable.
Anna Orlina’s line looks like her sculptures: colorful and abstractly-shaped. It leads to some sharp-cornered silhouettes for the clothing, making the models look statuesque and reminding one of Brutalist building designs. The accompanying music for the show were some Christmas-esque doo-wop-inspired songs that increased the uniqueness of the pieces in the fashion line.
Policarpio partnered with Anouck Tantoco for her runway show, highlighting different people with disabilities, putting them on stage alongside the models to parade the designs to the public. Their show was accompanied by symphonic music from an orchestra.
These three shows, overall, portrayed the key aspects of Lamina to the public: an artistic sensibility that allowed for uncommon ideas to stand out; a presentation of how sustainable fashion can actually be put in practice; and a commitment to diversity and inclusion that represents the openness of the Filipino community at large.
The Convergence of Art and Design
A whole section was devoted to “functional and kinetic art” which holds different pieces of furniture—tables, chairs, benches, and the like—that also function as art pieces which speak to the environment that they were created in.
“[These works] explore the dynamic intersection of utility and imagination,” a write-up for the mini-exhibit said. “Featuring works that move, illuminate, or transform, these pieces redefine how we interact with everyday objects in their multi-dimensionality, combining form and function, design and intention.”
A section for jewelry was included in Lamina. This contained a unique set of works that push the boundaries of shape and structure of gemstones in seemingly-singular ways. This mini-exhibit featured works from Helena Alegre, Marge Organo, C. Alexander, and more.
“More than adornment, they are intimate sculptures that carry meaning, narrative and intention. They become part of a living composition,” its write-up said. “In this way, art jewelry transforms into a collaborative medium-one that speaks both of the maker’s craftsmanship and conceptual voice, and of the wearer’s values, moods, and personal mythologies.”
Another section featured contemporary Filipino clothing that utilized traditional Filipiniana design tropes with modern stylistic choices. These clothes focus on hand-crafted design and detail that exemplifies the talent of the people working on these projects.
‘The Orlina Legacy’
One display showcased a collaboration between glass sculptor Ramon Orlina and painter Dominic Rubio. Here, they restore three vintage cars with significant pop culture cache, with Rubio’s heritage-centric artworks decorating the body of the cars. It melds together that significance in late 1960s history with Filipino heritage, making something colonial into something uniquely Filipino.
The Orlinas feature prominently in the exhibition, with entire sections of the lifestyle fair dedicated to the works of Ramon, Anna, and Michael Orlina. Beyond the car display, Anna Orlina’s vibrant glass sculptures stood out—her expressive, abstract forms drawing significant attention from fairgoers.
A Showcase of Filipino Sustainability
Lamina: A Curated Lifestyle Fair gives viewers the opportunity to see the innovations and obsessions of Filipino fashion and design today. Its focus on heritage, sustainability, and artisan craftsmanship exemplify how local industries can expand by highlighting the singular aspects of our culture. It shows that we can make world-class products through adopting local ideas and sensibilities rather than just importing foreign design ideas.
Photos by Elle Yap.
Related reading: ICA Art Fair: Funding Philanthropic Efforts Through Artistry
Frequently Asked Questions
“Luminous Threads” serves as a benchmark for art couture by translating diverse artistic voices—ranging from patchwork textile art to glass-inspired silhouettes—into sustainable fashion. This collection demonstrates how traditional Filipino elements, such as indigenous fabrics and iconic farmers’ hats, can be reimagined through contemporary design. By merging the sensibilities of artists and designers, the show proves that local heritage is a powerful foundation for innovative, world-class style.
Functional and kinetic art blurs the line between utility and imagination by creating pieces that move, illuminate, or transform within a space. These works challenge the user to interact with everyday objects as multi-dimensional sculptures rather than mere tools. By combining intentional design with artistic form, these pieces reflect the environment they were created in and elevate the role of furniture into a conversational, living part of a home.
Jewelry in this context is viewed as a medium that carries deep narrative and intention, transforming gemstones into wearable, living compositions. Unlike mass-produced adornments, these hand-crafted pieces act as collaborative media that speak to both the maker’s craftsmanship and the wearer’s personal values or “mythologies.” This approach elevates jewelry to the status of a personal landmark, bridging the gap between fine art and daily fashion.
Effective sustainable fashion focuses on artisanal craftsmanship and the creative reuse of materials, such as Francis Dravigny’s patchwork textiles which utilize recycled elements. It involves a commitment to small-scale production and hand-crafted details that reduce the waste associated with mass manufacturing. By highlighting local sensibilities and high-quality artisan work, Filipino designers demonstrate that eco-conscious choices can coexist with luxury and high-concept style.
The collaboration transforms colonial artifacts—specifically vintage cars from the late 1960s—into uniquely Filipino icons by decorating them with heritage-centric paintings and glass sculptures. This process of “restoration through art” melds significant pop culture history with local craftsmanship, reclaiming foreign objects as symbols of Filipino pride. It showcases a broader movement in the industry to prioritize local ideas and historical narratives over imported design trends.
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