The age-old question of whether the glass is half-full or half-empty serves as a well-worn metaphor for optimism and pessimism. The perspective of finding the best in things makes optimistic architecture a matter of finding value in unexpected places. A confidence of hope and imagination that creates new possibilities in how our spaces are shaped and formed.
The practice of architects Buji Libarnes and Nikki Dela Paz-Libarnes showcases how design can unlock hidden potential in what others might overlook. Their work speaks to a consistent architectural narrative that invites people to experience their locality through transformation and adaptive reuse. The designs reinvent and explore different aspects of the provincial towns within La Union, such as history and industry, transforming them into spaces of joy, hospitality, and well-being.
Oftentimes, architectural conservation is reserved for monumental structures of established national or cultural significance, such as old churches or works of national artists. But everyday buildings can also have their own merits as they quietly stand witness to the rhythms of daily life. Like precious gems that are only found in the dark, these modest structures can hold within them things that can be rediscovered and retold.
The Lewis House, originally built in 1960, was home to former Mayor Lewis of San Juan. “It has been part of the landscape of Ili Sur ever since,” the architects share. Familiar to locals, this home carries a sense of community significance and memory.
The architects reinvented this iconic home into a public space that brings people closer to the historical side of La Union. The renewal of this structure is a compelling example of how buildings can be rejuvenated by utilizing its uniqueness and retaining its spirit of authenticity. The designers embraced the characteristics that define the look of the original with touch-ups that accentuate and cohesively blend the modern with the classic. This project evokes nostalgia — a yearning for times of closer connections, slow-paced steps, and a more intimate relationship with nature.
La Union’s coastline may be best known for its waves, but it is also historically a hotspot for maritime trade in the region. Shipping containers are always arriving at its ports, stacked and waiting for their next use. These steel boxes, designed to withstand long-haul transport across seas, are hardly associated with hospitality. With their cold and rigid exterior and uniform size, these units are built for function, not comfort.
Yet, in a compact lot shared with the architects’ private residence, these industrial units have been transformed into Vessel Hostel—a clever case of adaptive reuse that blends industrial minimalism with the easygoing spirit of a coastal retreat. Its story can be said to be a demonstration of finding possibilities within confines, like how an optimist looks for the best in whichever situation they may find themselves in.
The project’s context created constraints where creativity could best flourish as it was originally an extension of the architect’s mid-century inspired bungalow. The spatial programming balances the needs of a private home with the requirements of a bustling hostel and even makes room for future expansion within the property.
Architects Buji and Nikki’s work demonstrates how we engage with architecture and its pivotal role in shaping the landscape. Their ingenious designs celebrate local character, inspire bold ideas, and introduce imaginative solutions. It’s an approach to architecture that champions the power of optimism, looking beyond convention and seeing potential where others see constraint.
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Photographed by Steve Jotham E. Hansen (Lewis House); Billy Gupita and Mark Ouano (Vessel Hostel).
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